Sunday, December 10, 2023
10:30 AM
The First Church in Belmont Annual Major Music Service
Haydn's "Lord Nelson Mass"
Join us in our sanctuary for our annual "Major Music" holiday service.
ABOUT THE LORD NELSON MASS:
Composed in 1798, the Lord Nelson Mass was first performed on September 23 of that year and is Haydn’s largest mass, as well as one of his most beloved choral/orchestral works. It is also his only minor-key mass, set in d minor at the opening, but leading to a victorious D major finale. The orchestra does not include woodwinds--Prince Esterhazy had dismissed the wind players to fight in the war--and the use of three trumpets and timpani in the accompaniment creates a military feel, perhaps influencing its name.
The mass is also notable for the “fireworks” demanded of the soprano soloist, in the tragic, war torn Kyrie through the Gloria and beyond. While most contemporary mass settings make a clear distinction between arias and choral sections, as in the manner of opera, the solos and ensemble passages in the Nelson Mass remain closely integrated with the chorus. The “Qui tollis” section of the "Gloria" starts surprisingly in B-flat major, where the bass is accompanied by some lovely scoring for the strings and organ. The soprano returns us to D major for “Quoniam tu solus sanctus,” and Part II ends with a choral fugue.
An extraordinary opening to the "Credo" has the sopranos and tenors competing in canon with the altos and basses to the sound of fanfaring trumpets. “Et incarnatus” begins with a gorgeous aria for the soprano soloist, before the emotional center of the piece is taken up by the chorus who lead to a glorious D major finish once again in “Et resurrexit.”
The "Benedictus" in Part V is a world away from the serene, prayerful setting that might be expected. This is typically presented as a quiet meditation, but Haydn’s setting begins with a stormy orchestral introduction, moving through a series of exchanges between soloists and chorus, to culminate in a strikingly dissonant passage. The G Major "Agnus Dei" provides the chorus a little respite as the soloists take center stage, before “Dona nobis pacem” returns triumphantly to D major in a joyous finale.
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